Play.

I had a lot of fun today in the house – I much prefer to work practically when I’m there and then reflect later, though the writing tasks we receive often unearth things I wouldn’t have thought of. However, today was a day of practical work and, to that end, I played.

Firstly, I was displaced from the Fisherman’s Shed by necessity of being caught on the camera, so I had to find an unpopulated space to unlock my writing from Friday. Partly out of practicality (as no one seemed to have chosen it) I chose one of the liminal spaces in the house – the stairs. Now, the memory which I was attempting to activate was that of playing on the stairs at my mum’s workplace so, I began experimenting, trying to find different ways to ascend and descend the staircase (bearing in mind the ideas of making strange the everyday that we had discussed earlier). First, I bumped down the stairs on my bum, which was slightly painful – Louise, who was working on the landing at the time, joined in on that one. Then I started to get a little more dangerous. As children, we are all told (I assume) not to play on the stairs, as it is a tad risky. I’m sure in the minds of most parents, if they see children playing on the stairs they immediately picture horrifying images of broken bones, concussions and trips to the hospital after a tumble down them. However, today, there were no parents – of course, there were doubters, wondering at the danger of what I was attempting but I (foolishly perhaps) refused to listen and went about my experimentation. I slid down the stairs on my front and back, jumped up the stairs, increasing the amount of steps I jumped up them every time, crawled up them (a rather pedestrian attempt), walked down them backwards and walked up and down them with my eyes closed (this after discussing with Louise and Angela the horrible feeling of thinking there’s another step and there not being one there, and lurching forward into the dark). Sliding down on my front is my new way of traversing the stairs, so none of you be alarmed if I do it again.

In the end though, the stairs couldn’t yield up any more interesting ways to use them so I went in search of something else. I found a feather duster.

Initially, I took the duster because it entertained me – it was large and inherently quite a ridiculous thing. But then, when I took it upstairs I had a bizarre urge to dust at all the cameras. In the beginning, it was just because the idea of a big feather duster slowly creeping up onto the camera amused me greatly. But, slowly, as I went round all the cameras grinning, I started to think through and rationalise my actions – there was a method to my madness. When we’re in the house, the CCTV tends to fade away into the background (as a few people have mentioned already). What I wanted to do, with my rituals of cleaning (first the duster, then spray and cloth, and finally the hoover) was to make obvious the cameras. With my escalating cleaning rituals, I separated the CCTV from the rest of the house, isolating it and inverting the focus in each room.

Eventually, however, I ran out of cleaning implements and had to find another way to amuse myself. This is when I truly settled on play. Before now I’d been playful in my exploration, but I’d not truly played as a child would. So I became a pirate.

The idea of setting sail on the seven seas and becoming a scurvy sea-dog came to me in the bathroom, when I was changing the toilet roll as I noticed the current one had been finished. Through the eyes of a grown-up, t’was but a simple cardboard tube. However, through the eyes of a child, it was a telescope! Next, I turned my child’s eye towards the bins just outside the toilet. Bins? No, they aren’t bins, they’re my pirate ship! (Though, size-wise, it was more like a little pirate dinghy) And what’s this? One of the flappy bin lids came of? Well, that looks rather like a pirate hat to me! Unfortunately, sailing the seven seas may be a bit hard without a sail… But, luckily, I found a handy oar in the form of a fire extinguisher!

You may be wondering what exactly the point was in all of this seemingly pointless play. Earlier, we talked a great deal about the idea of ‘making strange’ a place – mainly how Gob Squad’s Work ‘sought to ‘make strange’ the activity’  (Govan, n.d.). When you’re looking through the eyes of a child, mundane household objects can become magical, fun and strange. In that way, I played my pirate game to fully experience the making strange of the house and to observe the reactions of everyone else. First of all, I simply played on the landing in my bin-boat, but I wasn’t really engaging anyone that way. So I began a hunt for treasure. Understandably, considering where we are, treasure was hard to come by, even through the eyes of youth. I systematically went through each room (with my bin lid hat and cardboard telescope to make it quite clear I was a pirate) searching for the elusive treasure. Then, in the reception/waiting room, I found some shiny gold tacks! I even found a treasure-chest facsimile to put them all in (I haven’t a clue what it was, it was a strange folding silver thing). Now that I had succeeded in my pirate’s quest to find a buried treasure, I decided on philanthropy so that I could involve everyone in the house – I went room to room offering everyone some of my treasure. I was genuinely surprised by the result though – pretty much everyone accepted my offer of treasure, even though the treasure was clearly just drawing pins and a few other brass bits and bobs. The only people in the house who didn’t accept my offer were those in the CCTV room – except Lizzy, but she was outside the room at the time. This got me wondering, is there something about the CCTV room that separates you from the rest of the house? Because within the room you observe everyone else’s actions, do you feel apart from them – it’s an interesting idea that whenever you watch people through the CCTV you feel detached from the house.

That or they just didn’t want any of my treasure.

References:

Govan, n.d. Revisioning Space, The Place of the Artist, [e-journal] P. 123, Available through: Lincoln University Blackboard: http://blackboard.lincoln.ac.uk.

2 Replies to “Play.”

  1. I also started off my adventures in the house yesterday in a childlike manner. Mine merely consisted of playing with my childhood giraffe ‘Jolly Tall’ around the hallway and the bottom of the stairs though. I certainly didn’t have the fun you did Sam! I don’t know whether this is to do with the kind of child I was – shy and introverted. Or perhaps that I had had to relocate myself to the hallway. When I first sat down in there, Conan discussed with me how it was such a public place… perhaps the most public place in the house – the entrance. The place that everyone, even people who knock on the door and are not invited in, get to see. We agreed that it was an odd place to be sat with a soft toy that was so much more related to a bedroom and I continued to bare that in mind when approaching my text there and “playing” with Jolly. For some reason I felt much more need to keep quiet and not get in peoples way (a lot of people did pass me by too) and also felt drawn to the front door, even though I knew no one was expected to come visiting. I hadn’t really thought about this room before but I think it would be interesting to think about this idea of it being so public when coming up with our performance ideas. I have gone off on a tangent. But, yes, anyway… I loved this idea of playing and desperately wanted to join in with you (maybe if I hadn’t been so worried about the front door and all the people passing me), and I think we should certainly engage with this idea of imaginary play! And even hide and seek too. I think that sort of think might really help us to get to know the place and feel more “at home” there.

  2. This explains a lot from today! Your sense of play and indeed to watch you play within the house was amusing, especially when we could hear your approach from room to room via the sound of the hoover and exclaims of wonderment.

    To have a ‘child’ enter our space (the master bedroom) was strange, and a little disconcerting. We were trying to make the room feel comfortable, moving the furniture, adding our memories from home and generally being able to feel at home in our strange place. So, in a sense you were ‘making strange’ (Govern, p. 122) the activity of us attempting to feel comfortable by already making yourself so at home; running around, intruding and offering us pieces of your treasure. We only really felt at home in our space when we all got into bed, and left the space knowing we were comfortable with it as we had been at our most vulnerable within the space.

    To adopt this sense of the ‘play’ within the house would be a very interesting performance concept; especially if the audience were then to join in with the various acts of playing. However, when the audience entered the CCTV room, or when any performer did for that matter, they were forced to adopt the social norm again of adults would be very interesting. Especially if we could play the audience’s actions back to them when they enter the CCTV room when they were acting as children, and then document their reactions to their previous actions.

    To capture our sense of play on the CCTV within the house would be fascinating and a great documentation of the process; especially if we played with the cameras like you did….squaring up the cameras and pulling faces as though in a mirror…..We should definitely have a session where we all ‘play’ in our given rooms, or in the entire house. Games of tig, hide and seek, or just imaginative play. I think this would make all of us see the house in an entirely new light and possibly get rid of some of the eerie feelings which have manifested around the house. Just a thought 🙂

    References
    Govan, n.d. Revisioning Space, The Place of the Artist, [e-journal], Available through: Lincoln University Blackboard: http://blackboard.lincoln.ac.uk, Online: accessed 27 January 2013.

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