Seeing and being in the house for the first time has filled me with all sorts of thoughts, ideas and excitement about the potential of our work here.
Firstly, with all the rooms, there is such opportunity to have so much going on for an audience or “visitors” to see and engage with. Personally, rather than looking at the house as a whole, I have been seeing individual performance spaces – what happens in a lounge is so different from what happens in a bathroom and so, performances in these spaces could and probably would be vastly different.
I’m generalising, but I just like the idea of something different going on in every room, perhaps even using the CCTV in every room but in different ways. For example, I love the thought of exploring the idea of voyeurism so that could be explored in one room, using the CCTV in that creepy/ stalker way – obviously, as someone suggested, using the audience in some way, with this idea of being watched. Also, I like the idea of contrasting images on the TV, showing what really happens in a particular room behind closed doors, with the audience being treated as visitors; I think the lounge would be an ideal place for this. I also like the idea that in another room, we could explore the very different experiences/ ideas people have in relation to home or that particular kind of room, and perhaps have something live happening, along with a variety of vastly different examples of peoples experiences in the same room, shown in loop on the TV.
Photo taken 01/02/2013 by Jozey Wade | |
One thing I wanted to mention about the reading, that we addressed in a way in class, is the idea, as Pearson suggests: “a places owes it’s character not only to the experiences it affords as sights, sounds etc. but also to what is done there…” ((Pearson, Mike (2010) Site-Specific Performance, Palgrave Macmillan)). I think this idea of a place having a character or an atmosphere related to what has happened there, on top of the actual physical look/ smell of the place, definitely directly relates to the house we are using.
As we discussed in the session today, the fact that we know the house is used for what it is used for, automatically creates certain images and feelings in our head when looking at or visiting certain rooms. For example, although a bathroom is usually a place I feel most safe or relaxed – due to door locks, being alone and undisturbed, nice hot baths etc – when I was in the bathroom at this particular house, horrible and extreme as it sounds, images of awful things like suicide, accidents with electrics popped into my head. Obviously, this is due to the atmosphere I feel there because of knowing the negative connotations related to what the house is used for. The marks on the wall and peeling paint (as can been in the picture below) add the that feeling of unease and remind me of the true usage of the house.
Photo taken 01/02/2013 by Jozey Wade
However, an audience may not know about the usage and history of the house, so will the house have the same atmosphere to them? Probably not. So what will an audience, with no knowledge of the house at all, feel when they enter and explore it? What will the atmosphere be like to them? It might be important to keep this in mind.