Cot room- my first steps

My initial reaction to the cot room was that it was creepy, purely due to my prior knowledge of the use of the space. The room doesn’t have heating, the wall papers peeling and there is only a cot inside, not forgetting the mould, I fear for my health. How long does it take for black mould to kill you?

The house

The thought of anyone, let alone a child, being expected to live in this space (I wouldn’t call it a bedroom) is despicable. This led me to thinking about how our bedrooms are our sanctuary as Heathcote dictates “of all the rooms in our house, it remains the most intimate, the most private and the most precious” ((Heathcote, Edwin. (2012). The meaning of home. London, Frances Lincoln Ltd.)) but when we’re children this isn’t true as our parents come and go as they please, they choose the furniture, and they choose what’s no longer wanted. The room isn’t the child’s, but what the parent decides it’s going to be, pink for a girl, blue for a boy, dinosaurs, princesses or spaceships, most of this is chosen before the child is even born, so how can they call it their own?

I was lead to consider how a child makes their own spaces, yes, that’s right I made my own den in the cot room. I began by simply lying beneath the cot but it felt too exposed I felt more trapped than hidden, almost imprisoned which linked well with the houses purpose. But not the sense I was aiming for so I decided to hide more thoroughly (well if I was a child I’d believe I was better hidden) I achieved this by putting a bed sheet over the crib and shimmying, not very elegantly, back underneath and all of a sudden it was a different atmosphere as if I couldn’t see out they couldn’t see in. I felt shielded protected and with just my feet poking out,The house

hidden as if I had gathered some power from this place which I had created. I remember having that same feeling when I was young after putting four chairs into a square and stealing the bedding off of my parent’s bed to cover it.  They don’t know if your there or if you’ve left this den for them to discover as people realised when entering the cot room, as I managed to pull my feet under the crib with me (which was surprisingly comfortable), people were then unsure as to whether I had left or not. I let them know by grabbing their ankles, muhahahahaha; Conan was wise and asked from the door if I was still within my room.

After my return to the real world from my den I looked back on my initial feelings of being trapped within the cot and based on its and the rooms aesthetics it made me think of prison. It made me think of how people within their cells try to claim it as their own, even though it very much isn’t, this can be linked to children and when they make dens. I also thought children and prisoners linked through the fact they are both trapped. A child in the sense this is their family and they are to remain with them till they are old enough to look after themselves (except in extreme circumstances). However for prisoners it is a form of punishment in order to act as a deterrent for future bad behaviour, but after reading John Podmore’s “Out of sight, out of mind Why Britain’s prisons are failing.” ((Podmore, J. (2012) Out of sight, out of mind Why Britain’s prisons are failing. London: Biteback Publishing Ltd.))

After reading this I realised this isn’t always the case and that some criminals become complacent in prison, even continuing their illicit activities from behind bars, their complacency however is similar to that of most abused and neglected children. These children don’t accept what is happening is wrong and put their heads down and do their “time” without complaint, even twisted into believing they deserve it. And I wonder could we force are audience to feel trapped? Force them into thinking if their quiet and do as their told they’ll leave without any harm done to them? Put them in a place of stress forcing them out of their comfort zones and into the mode of what the house is used for, pretending to be a house of neglect and abuse?

Human Space? Heart Space?…..or rather OUR Space!

“So we ask, what does homeliness mean and how is it created?” ((Bollnow, O.F (2011) “Human Space” London: Hyphen Press p.142.))

This is an interesting thought, how does one create homeliness? If we apply this notion to the house on West Parade, we can look at the aesthetic and objects of the house. Most room’s contain furniture to identify the use of each space (i.e. bed = bedroom, sofa = living room) however would these room’s still create that sense of homeliness without the furniture? In the living room we have experimented with the feel of the room, simply by moving the sofas into different positions has made us feel more relaxed and made the room more homely.

Keeping the doors shut moves onto another factor that adds to the feeling of homeliness, warmth. Feeling cold instantly changes the mood and feel of a room, I think this is perhaps why the ‘cot room’ creates the opposite feeling of homeliness as there is no radiator meaning it is always cold which makes people feel uneasy. ‘What does homeliness mean?’ – Personally, I think it is a dwelling in which you can feel comfortable, relax and be yourself. However, I think this is only possible if the environment can totally put the individual at ease. “Warmth, seclusion, size, security, stability, history and objects” ((Bollnow, O.F (2011) “Human Space” London: Hyphen Press p.144.)) are all factors that have the potential to make a space feel homely. It is these factors that we want to weaken to challenge the notion of home and make the audience distinctly aware that this space is not a home.

“One must also be able to see that the room has been lovingly cared for. But even though disorder and neglect have a disquieting effect, an excess of orderliness is also oppressive, because one is afraid of disturbing the order. The room must also show that it is lived in, and this means that certain signs of life – a book that has been laid aside, work that has been begun – should be recognizable in it.” ((Bollnow, O.F (2011) “Human Space” London: Hyphen Press p.144.))

This stimulus is at the very heart of what our group intend to create as we plan to play on the fact that a room should be lived in by placing stacks of empty pizza boxes and alcohol bottles all around the room.

LivingRoom

The living room of the house on West Parade showing pizza boxes, beer bottles and other materials. Photograph by Sam Davis. (Please click on the picture to view the Living Room page to learn more about our performance ideas)

Using this as an extreme of a home that has been lived in, will subvert the audiences thinking of how a home should be presented and feel. The living rooms aesthetics already provide a contrast to the belief that a home should be cared for, the wallpaper is stained and peeling.

Creating surroundings that show they have been cared for and lived in will always be artificial in a performance.  This is typified from the history and the use of West Parade house as it is set up to represent a certain dynamic. However our space can be changed and moulded to present a different  home artifice. An artifice that says: “Everything looks okay on the surface, but is it ?”

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     Photograph from Human Space book cover. ((Bollnow, O. (2013) Human Space. [image online] Available at: http://www.mottodistribution.com/shop/publishers/hyphen-press/human-space.html [Accessed: 22nd February 2013].))

Homely Home.

Many of have good and bad memories of home and different ideas on what home is and should be like. Home for me is feeling safe and comfortable with the people around me I love and care about. Also the feeling of being at home with items around you that gives you a sense of comfort such as, pictures, smells, certain ornaments and furniture. Many people don’t have that, children in care and homeless people on the street. Homeless people have nothing just a place where they can sit and sometimes take shelter from the cold and rain. Children in care have a home and shelter but does it feel like home not having parents or people they love around them.

The house on West Parade is a shabby neglected house with peeling wallpaper, shabby furniture and old decor, there’s no feeling of homeliness we should get in a house. It’s hard trying to adapt our feelings we all have of home into a house that looks so neglected.

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Living Room Wallpaper. 19/02/2013

‘Man can lock the door of his house from the inside, but he is not for that reason locked into his house’ (( Bollnow, O.F (2011) “Human Space” London: Hyphen Press p.147.)). Shutting a door in the house or knowing you have the door locked you feel so much safer, one can feel at ease and totally relax when they know they are ‘Free from attack’ ((Little, W (1969) “The Oxford Universal Dictionary” London: Oxford University Press. )).

‘Bare rooms have a chilling effect’ (( Bollnow, O.F (2011) “Human Space” London: Hyphen Press. P.144. )). The living room is the heart of the house where you can feel most safe, this is normally crowded with friends and family who sit and be social. The Living room feels warm and safe where you can relax and be yourself. Feeling at home is when you are around everyone and feeling safe also feeling that you belong somewhere. The living room on West parade is small, cold and hardly has any furniture this make’s the room un- homely as it doesn’t feel warm, cozy and safe like a living room should.

When in a session in the house just moving the furniture around so the sofa and chair facing the TV/middle of the room it felt a lot more homely.  Myself, Lauren and Sam were thinking about home and about the safety of it where your free from intrusion, but what if you were intruding in your own house? The thought of watching something you shouldn’t  such as peeping through a key hole, watching someone in the bath or watching someone getting changed. Are you safe in your home?  Having this idea and the idea that the TV center’s the living room, why don’t we put inappropriate things on TV to watch.

With the seed planted, i was thinking what if we had videos of people having a bath upstairs being streamed on to the TV downstairs, watching something so personal so openly in the living room where everyone gathers. In the bathroom in the bath or having a shower you are most vulnerable were you think you’re safe.

 

Teaser Trailer

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During one of our recent sessions we produced a teaser trailer for our piece involving placards, similar to the Surveillance Camera Players and shots revealing each room in the house within thirty seconds. We have decided to produce the snippets regularly to slowly reveal more information for our possible audience, for example the location.

 

((Surveillance Camera Players (2001) online: http://www.notbored.org/generic.jpg (accessed 20/02/2013)))

“The door is a crossing, a junction marking the divide between the realm of the public and the private” ((Heathcote, Edwin (2012) The Meaning of HomeLondon: Frances Lincoln p.25)) We have 18 different perspectives of home within our group, most of them will be similar with personal differences. For these short trailers as we don’t have a concrete idea of what each room in the houses final performances will entail we thought about exposing all types of home for different people, what the divide between the public and private is for them. Home for a lot of people is a safe zone, where you feel most comfort and at ease, however this isn’t the case for everyone.

After brainstorming between us one of the performance ideas we had was to show the idea of entrapment, with maybe a couple of performers sitting watching the television and when getting up to go get a drink their hands are tied behind them.

In our last session session we watched some clips of performances. One that stood out to me was Oreet Ashery’s Say Cheese. Seeing this clip shocked me as to how comfortable the ‘audience member’ felt in this situation. When watching at first I assumed they were lifelong friends confiding in each other. While watching this clip it occurred to me we have been devising ideas on making our audience feel vulnerable or uncomfortable rather than at home and safe which is what a home is supposed to feel like. In one of our trailers or for a pre-recording for the piece it would be nice if we could bring a couple people to the house and sit them in the different rooms and ask them what they think of as home and how it makes them feel. There was something special about seeing two strangers really enjoying each other’s company within such a small amount of time, it would be an idea to try to make one of our audience members feel this.

Image: Online: http://www.notbored.org/the-scp.html (accessed 10th Feburary 2013).

 

Liminal, Compact and Ignored Spaces

Ignored Spaces

From working with the CCTV, I noticed and discovered all of the spaces which could be used and what is normally ignored by it being a threshold or somewhere we usually store belongings. I want to draw the audience attention to these spaces and how they can be used impermanently. I again looked at Eve Dent and how she embodies the spaces she is in. “My work explores the boundaries between the physical body and the body of a site.” ((Dent, Eve , Eve Dent 2003 online:http://www.an.co.uk/artists_talking/artists_stories/single/59462 (acessed: 18/02/2013))

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Eve Dent ((Eve Dent, ‘Anchor #3’, May 2002. Photo: Mike Young)).

Eve Dents work is similar to Lindsey Jennings Hill piece which is a journey of the Stage Left Staircase at Hoxton Hall ((Jennings Hill, Lindsey 17/12/2009, Stage Left Staircase, p9)):

“There is a curve in the wall here. Why is it there, what is it for? My body moulds perfectly into the curve in the wall, it feels like it was waiting for me, like I complete it, fill its spaces to make it whole. (I lean my body into the curve filling it with my body).” 

 

The idea of her embodying the wall, I found was intriguing and thought it would be effective for the audience to appreciate these places they wouldn’t normally notice.

I was then guided to look at the work by Willie Dorner. His work entails of

“squeezing human bodies into nooks and crannies for his Bodies in Urban Spaces project. Groups of dancers, climbers and performers wearing brightly coloured clothes run through busy malls and high streets and cram themselves into doorways, alcoves and any gap they can find in public buildings.” ((Bodies in urban spaces by Willie Dorner The Guardian, Sunday 21 June 2009 15.09 BST Online: http://www.guardian.co.uk/artanddesign/gallery/2009/jun/21/bodies-urban-spaces))

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Willie Dorner ((“Bodies in urban spaces by Willie Dorner” The Guardian, Sunday 21 June 2009 15.09 BST Online: http://www.guardian.co.uk/
artanddesign/gallery/2009/jun
/21/bodies-urban-spaces)).

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Willie Dorner ((“Bodies in urban spaces by Willie Dorner” The Guardian, Sunday 21 June 2009 15.09 BST Online: http://www.guardian.co.uk/
artanddesign/gallery/2009/jun/
21/bodies-urban-spaces)).

From looking at these three artists, I explored use places in the house like the cupboards, under chairs and desks. In these, spaces I would photograph my experience of being cramped and discovering the site. I decided to have this project separate to my work in the CCTV room as we have develop a different concept.